I am getting there! These images show: 1) the Grisaille Underpainting on the right, done in brown and white over an Indian red priming, 2) the Velatura Foundation on the left, that sets values into colour, but most importantly establishes a light structure for the glazes to "harness", 3) The First Hardening Glaze, where colours are glazed on to harness the light, and further refinements are dropped into the wet film. I still have a long way to go, still! Onto the complex final glazes!
